Saturday, March 29, 2025

Red One: this Dwayne Johnson flop demonstrates Hollywood’s longstanding problem with Christmas

The Conversation - December 19, 2024

0

Break dancing used to pride itself on inclusivity – so why is it...

The Conversation - August 5, 2024

0

Boycotts, protests, harassment: Eurovision’s future is on the line after its most controversial...

The Conversation - May 13, 2024

0

From Taylor Sheesh to The Smyths: why tribute acts can no longer be...

The Conversation - March 26, 2024

0

Oasis: expert explains the formula for a successful band reunion – and why...

The Conversation - August 30, 2024

0

Comment

Home Comment

Comment: Boy Band Breakups – Let’s not be so cavalier to...

Staff Writer - March 26, 2015 0

Album Review: Billie Eilish – Hit Me Hard And Soft –...

The Conversation - May 25, 2024 0

Boycotts, protests, harassment: Eurovision’s future is on the line after its...

The Conversation - May 13, 2024 0

UK’s creative industries bring in more revenue than cars, oil and...

The Conversation - April 18, 2024 0

Back to Black: Amy Winehouse biopic reviewed by an alcohol expert

The Conversation - April 11, 2024 0

Let It Be: Rerelease of 1970 Beatles film reveals how the...

The Conversation - May 19, 2024 0

Taylor Swift

Taylor Swift’s The Tortured Poets Department and the art of melodrama

The Conversation - April 23, 2024 0

Bagpipes in space: how Hans Zimmer created the dramatic sound world...

The Conversation - March 10, 2024 0

Martha isn’t Baby Reindeer’s biggest villain. So why is she painted...

The Conversation - May 9, 2024 0

The power of POV: five films that put you in the...

The Conversation - April 14, 2024 0

12 3 4 Page 1 of 4