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Lauran Hibberd Announces ‘Bring Your Own Girlfriend’ UK and EU Headline Tour

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Staff Writer
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Photo credit: Emily Marcovecchio

Taking her tongue-and-cheek humour and anecdotal lyrics on the road, Lauran Hibberd announces her ‘Bring Your Own Girlfriend’ UK dates which will see the rising indie pop star bringing her live performance to Manchester, Glasgow, North Shields, Leicester, Leeds, Southampton, Bristol, Oxford and London. The tour also takes Hibberd across Europe as she visits Paris, Hamberg, Cologne, Berlin, and Amsterdam. General sale will go live on Friday Apr 26 from 10am here. Tickets for London’s Underworld and Manchester’s Academy 3 dates are also available here.

Fresh off-the-back of her UK, US and Australian tour 2023 support runs alongside cult US alt-rockers All Time Low, Lauran Hibberd has recently announced her return to the states for her North American leg of the tour. 2024 will also see Hibberd joining impressive lineups throughout the Summer as she shares the stage with James Arthur in Riverside Stadium, Middlesbrough on June 08.

The release of the indie songwriters second album ‘Girlfriend Material’ has been received with critical acclaim from key press and tastemaker titans such as UNCUT,  NME, Rolling Stone UK, DIY, Dork, NYLON, Clash, Time Out, Kerrang, Rock Sound to name a few. Hibberd has also been making her mark on broadsheets The Guardian, The Times, The Independent, Evening Standard; and establishing herself as a frequent resident on the BBC Radio 1 (Clara Amfo, Jack Saunders, Gemma Bradley, Sian Eleri, Nels Hylton) airwaves.

Released on March 22, Hibberd speaks on her latest album: “Welcome to Girlfriend Material, here you will find the 12-stage instruction manual on how to make the perfect girlfriend in under an hour. Listen more than once to ensure perfection,” Hibberd reveals. “Making this record came oddly naturally, it felt like it was supposed to come out of me and I’ve never felt so attached to a body of songs like this. I think I’m at a point in my life where I’ve started to really experience ‘life’, with going through losing a parent, having a life altering break up, living on my own for the first time, and exploring who the ‘f*vk’ I actually am. Everything I am right now is in this album. It’s the best thing I’ve ever made, and I’ve worked with some incredible people in the process. It’s definitely been the one thing that’s kept me going over the last year, and I hope it can do the same for other people. with love, Lauran Hibberd (100% girlfriend material).”

Masterfully fusing influences like Avril Lavigne, Weezer and Green Day with the likes of Olivia Rodrigo, Liz Phair and Taylor Swift, Hibberd’s music is one for the masses. Speaking on ‘Girlfriend Material’, she states that it is a record that captures everything she is right now – which is undeniably candid, witty and a true force to be reckoned with. Listen to Lauran Hibberd’s ‘Girlfriend Material’ here.

2024 Headline Tour Dates
Mon 16 Sept Academy 3, Manchester
Tues 17 Sept King Tuts, Glasgow
Weds 18 Sept Three Tanners Bank, North Shields
Fri 20 Sept The Soundhouse, Leicester
Sat 21 Sept The Key Club, Leeds
Sun 22 Sept Engine Rooms, Southampton
Tues 24 Sept The Louisiana, Bristol
Weds 25 Sept The Bullingdon, Oxford
Thur 26 Sept Underworld, London
And James Arthur Support
Sat 8 Jun Riverside Stadium, Middlesbrough with James Arthur

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BST Hyde Park announce Stevie Nicks’ special guests

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Staff Writer
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BST Hyde Park is gearing up for an unforgettable night as they welcome the iconic singer, songwriter, and storyteller, Stevie Nicks, as the headliner on Friday, July 12th. Adding to the excitement, three exceptional artists will join the lineup to enhance the day’s musical experience: Brandi Carlile, Anna Calvi, and Paris Paloma.

Brandi Carlile, a powerhouse in the music industry, brings her unmatched talent to the stage. With an impressive collection of accolades, including 11 GRAMMY Awards, Carlile’s powerful voice and impactful career have left an indelible mark on the industry. Known not only for her own music but also for her contributions as a producer and collaborator with music icons, Carlile continues to push boundaries and inspire audiences worldwide.

Anna Calvi, a force to be reckoned with, has carved her path in the music scene with her genre-defying sound. Nominated for esteemed awards like the Mercury Prize and BRIT Awards, Calvi’s music takes listeners on a mesmerizing journey through her sonic landscapes, captivating audiences with each release.

Making waves with her debut studio track “labour” in 2023, Paris Paloma has swiftly risen to prominence in the global music arena. With earlier releases showcasing her raw talent and artistic vision, Paloma’s success with “labour” catapulted her onto charts and streaming platforms worldwide, solidifying her status as a rising star in the industry.

Expressing her excitement for the BST Hyde Park headline show, Stevie Nicks shares, “Anything that draws me back to London ~ and therefore to England ~ fills my heart with joy. And to be able to visit and make music… is always a dream come true…”

Stevie Nicks’ influence on the global music scene is unparalleled, particularly through her iconic contributions to Fleetwood Mac. Her solo career further solidifies her status as a musical legend, with hits like “Edge of Seventeen” and “Stand Back” showcasing her versatility and enduring appeal. Inducted into the Rock and Roll Hall of Fame both with Fleetwood Mac and as a solo artist, Nicks continues to inspire generations of artists with her resilience and creativity.

Following a successful run of US shows, Stevie Nicks’ headline performance at BST Hyde Park promises to be a highlight of the event, offering fans an unforgettable musical experience.

The lineup for American Express presents BST Hyde Park 2024 is set to be truly spectacular, with headliners SZA (29 June), Kings of Leon (30 June), Morgan Wallen (4 July), Andrea Bocelli (5 July), Robbie Williams (6 July), Shania Twain (7 July), Stevie Nicks (12 July), Kylie (13 July) and Stray Kids (14 July), with the full line up for each day to be announced, plus All Things Orchestral on 28 June.

Building on the success of BST Hyde Park 2023, which featured legendary acts such as P!NK, Guns N’ Roses, Take That, BLACKPINK, Bruce Springsteen and the E Street Band, Billy Joel, and Lana Del Rey, this year’s event promises to deliver another unforgettable experience for music lovers.

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Taylor Swift’s The Tortured Poets Department and the art of melodrama

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The Conversation
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Taylor Swift
Taylor Swift - The Black Dog - Photo Credit: Beth Garrabrant

By Samuel Murray, University of Liverpool

Taylor Swift album drops have become cultural moments – whether or not you are a fan of her music. Each album in the Swift catalogue seeks to open up new themes, discussion, sounds and ideas, while retaining a sense of familiarity that doesn’t alienate fans.

Lyrically, The Tortured Poets Department is a euphoric rejection of societal expectations. It embraces all the Taylor-isms her fans have come to know and love, from her one-note melodies to her recitative delivery (sung in the rhythm of ordinary speech). And it features her signature frank and open autopsies of relationships, delivered with maturity not only in the choices of language and obscenities (“fuck you if I can’t have us”) but in Swift’s outlook on her life and relationships. This is accompanied by the rich electro-pop production of longtime collaborators Jack Antonoff and Aaron Dessner.

The first striking thing about the album (including its title), is the many references to poetry. The title track declares: “You’re not Dylan Thomas, I’m not Patti Smith”, pointing to other famously troubled (or “tortured”) lyrical poets.

This track sets the tone for an album where lyrics are the central feature, with Swift choosing developed imagery over catchy pop hooks. The title track is also a clear rejection of any notion that Swift is presenting herself as a bohemian, and asserts that she does not struggle for her art. In fact, she appears to mock those who do, sneering: “Who uses typewriters anyway?”

Tortured melodrama

One of the unapologetic lyrical themes of the album is Swift’s intense commitment to love, relationships and their aftermath. To help convey this, Swift uses melodrama as a narrative device. Melodrama is a genre of performance that uses heightened and often over-the-top expressions of emotion.

In Down Bad she evokes fantastic celestial imagery of “cosmic love” and being “heavenstruck”, but balances this with discovering the harsh realities of a relationship. She asks: “Did you really beam me up / In a cloud of sparkling dust
/ Just to do experiments on?”, perhaps suggesting that her passionate love is being taken advantage of.

Swift tempers this with the extreme assertion that: “If I can’t have him, I might just die”. This melodrama pervades the rest of the album to celebrate emotional vulnerability as she shares her innermost thoughts.

Emotional vulnerability is a major theme of The Tortured Poets Department. Photo: Beth Garrabrant

On I Can Do it With a Broken Heart Swift declares: “I’m so depressed, I act like it’s my birthday every day”, before proudly owning her emotion, declaring: “I cry a lot, but I am so productive, it’s an art”. Here, she claims that she can use heartbreak as a stimulus for creativity, rather than allow it to dictate her everyday life.

In his book Melodrama (1973) author, James L Smith draws on philosophical critiques and analyses of music, poetry and theatre to help define the core characteristics of the genre. “In melodrama,” he explains, “man remains undivided, free from the agony of choosing between conflicting imperatives and desires”.

Swift often exhibits this in her lyrical retellings of past relationships, either positioning listeners at the beginning (Enchanted) or end of a relationship (We Are Never Ever Getting Back Together).

Smith also asserts that “melodrama presses its own extreme conflicts to extreme conclusions”. This speaks to the extremes of emotion explored in The Tortured Poets Department, including frequent references to death. “I might just die, it would make no difference”, Swift opines on Down Bad. “Lights, camera, bitch, smile / Even when you wanna die” is how she describes her emotional state during the recent Eras Tour in I Can Do It With a Broken Heart.

Art forms like songs and poetry can be extremely valuable for artists to process and channel their emotions. Not only does this seem to hold true for The Tortured Poets Department, but the album functions as something of an invitation for listeners to process their own grief and heartbreak alongside Swift. An “alchemy” that turns for her own “tortured” nights into communal therapy.

The Conversation

Samuel Murray, Lecturer in Music, University of Liverpool

This article is republished from The Conversation under a Creative Commons license. Read the original article.

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Rat Boy Return With The New Single ‘Suburbia Calling’

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Staff Writer
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Rat Boy, Photo Credit: Gavin Watson

Rat Boy’s ever-adventurous voyages across genres have taken the band, fronted by Jordan Cardy, on similarly sprawling journeys across the globe. But wherever they go, they inevitably find themselves boomeranging back to their Essex homelands. And that’s the topic that Rat Boy explore as they share their new single ‘Suburbia Calling’, their first new music in over two years.

Bringing together spiky indie-pop thrills with Jordan’s drawling semi-rapped vocals, ‘Suburbia Calling’ could be a big beat Blur, or The Streets had they emerged mid-Britpop. As we’ve come to expect, RAT BOY’s musical anarchy is the backdrop to Jordan’s distinctly British lyricism, his postcard pictures of small town culture providing equal measures of insight and humour. ‘Suburbia Calling’ is Rat Boy’s response if Essex ever needed its own national anthem. Priced out of London, you’re back in a world of commuters, curtain-twitching neighbours and Union Jacks – and you know what? It’s good to be back home. While it’s specifically about Essex, ‘Suburbia Calling’ will be relatable to anyone in the satellite towns or outer travel zones near any big city.

Jordan says, “This is a love letter to the suburbs. It made us and shaped us. It’s good to be back.”

‘Suburbia Calling’ was produced by the renowned Stephen Street (Blur, The Smiths, Kaiser Chiefs). It was written by Jordan alongside the track’s co-producer Sam Preston (jxdn, Mod Sun).

When Rat Boy first emerged with his debut collection ‘THE MIXTAPE’ (which recently debuted on Spotify) he immediately earned a one to watch reputation, his genre agnostic style and biting lyricism encapsulating his generation’s experiences. But Rat Boy was only going to play by his own rules. Initially a solo project, Rat Boy evolved into a full band identity (with guitarist Harry Todd, bassist Liam Haygarth and drummer Noah Booth) with the more visceral spirit and darker themes of their debut album ‘SCUM’ nonetheless firing them into the UK Top 15.

Rat Boy’s next stop was a leftfield turn into the American punk scene, working with its pivotal figures such as Tim Armstrong (Rancid, Operation Ivy) and Brett Gurewitz (Bad Religion, Epitaph Records) as well as touring with The Interrupters and earning the admiration of Mike Shinoda (Linkin Park). It was an experience that resulted in the album-length mixtape ‘Internationally Unknown’ and the follow-up ‘Government Vacation’ EP. Since then, Rat Boyhave focused on their other related projects (Lowlife’s ‘Pay Day’ album and a mixtape from Mila) and brand new music, with only sporadic live shows in 2023 with a gig as special guests to Yungblud and a hometown warm-up in Chelmsford.

Expect more news from Rat Boy soon.

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Perrie of Little Mix Unveils Soulful Debut Solo Single ‘Forget About Us’

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Staff Writer
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Today marks the long-awaited debut of global music superstar Perrie’s solo single ‘Forget About Us’.

Co-written by Perrie with Ed Sheeran, David Hodges, and Steve Solomon, ‘Forget About Us’ is a bittersweet uptempo pop anthem that showcases Perrie’s stunning vocal talent. In this remembrance of past relationships, she sings, “I don’t want you to ever forget about us in the front seat / listening to songs that made you think about me.”

Directed by Jake Nava and shot in Cape Town, the forthcoming music video promises to add visual depth to Perrie’s soulful narrative.

While the world may know her as the self-assured Perrie from Little Mix, her solo venture unveils a transformative journey of self-discovery. Initially shy and unsure of her songwriting abilities, Perrie’s solo debut album reveals her bold exploration of diverse genres, from rock to motown to bright, bold pop.

Most of the album was written and recorded at Perrie’s North London home, providing a safe space for her creativity to flourish. Collaborating with renowned artists like Ed Sheeran, Raye, and Jon Bellion, Perrie fearlessly explores her emotions and life experiences through music.

With her sights set on live performances, Perrie looks forward to sharing her music with the world and experiencing the joy of fans singing her songs back to her. Whether sensitive or powerhouse, Perrie’s distinctive vocals promise to captivate audiences as she shares her personal story through music.

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Kings Of Leon Unveil New Track ‘Nothing To Do’

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Staff Writer
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Grammy award-winning, multi-platinum rock band Kings of Leon releases “Nothing To Do,” the latest track from their upcoming 9th full-length studio album, Can We Please Have Fun, out on May 10. The scorching song delves into their post-punk sound with its jagged guitar riffs and propulsive drumming. The video, shot entirely by lead singer Caleb Followill, provides a glimpse into a more intimate side of Kings of Leon, taking viewers along for a high-energy performance.

Can We Please Have Fun, as its title suggests, is a document of the band’s desire to cut loose, try new things, and, yes, have some fun. Recorded at Dark Horse studio in Nashville and produced with new collaborator Kid Harpoon (Harry Styles, Florence + the Machine) the album sees a new side of Kings of Leon. On the new album, the band harkens back to their gritty origins while simultaneously finding new gears. It’s the sound of a band unified in vision and purpose, freed from any expectations, and the album the band says they’ve always wanted to make.

Can We Please Have Fun is available for pre-order HERE. You can find the album’s full tracklist below.

Can We Please Have Fun – Tracklist:
1. Ballerina Radio
2. Rainbow Ball
3. Nowhere To Run
4. Mustang
5. Actual Daydream
6. Split Screen
7. Don’t Stop The Bleeding
8. Nothing To Do
9. Television
10. Hesitation Generation
11. Ease Me On
12. Seen

Can We Please Have Fun World Tour. The UK and Ireland tour will kick off in Leeds on June 20th and make stops in Birmingham, Bristol, London (BST Hyde Park), Glasgow, Dublin, and Nottingham. The tour will also include a performance at the British F1 Grand Prix in Silverstone on July 4th.

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Faithless announce first live shows in 8 years

By
Jimmy Mavroudis
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Eight years on from their final live performance, today (19th April 2024), Faithless announce their return to the global stage. The announcement includes their first run of live dates, including London’s iconic Roundhouse and  shows in Belgium, Luxembourg, and Amsterdam, which lead into headline sets at 3 of the major UK festivals: Glastonbury, Wilderness and Bestival.

In their own words Faithless have said: “As many of you have noticed, we’re back…Some shows have already been announced but we couldn’t start the summer without a little personal note. Maxi died just over a year ago and obviously we miss him every day. Thank you all for all of your kind words of support over this last year. It has really, really meant a lot.

In the meantime, we never stopped (couldn’t stop, never wanted to stop!) making music. Even during Maxi’s long illness we recorded and released ‘All Blessed’ and now finally, 8 years after our last live performance, we are returning to festival stages across the summer and are planning some of our own shows later this year…”

26 years on from the release of their critically acclaimed debut album, ‘Reverence’, Faithless have established themselves as one of the most influential electronic acts of the 21st century – selling over 20 million albums, including seventeen Top 40 singles, six Top 10 albums (three at #1), and amassing over a billion combined streams to date.

The band’s cultural significance is unparalleled – leading the charge of dance acts cutting through on a global level, and showing promoters that electronic music deserves its place on the main stages – they’re 2002 Glastonbury performance proving this to aplomb. Faithless have proved it’s possible to achieve both critical and commercial success while delivering boundary pushing dance music with feeling and integrity.

With a 7 piece band, and having ‘borrowed’ Jean Michel Jarre’s set and lighting director, Jvan Morandi, Faithless have an early homecoming date at Camden’s Roundhouse ,and with a new album signed and being made the  band are set to enter an exciting new era and continue their reign at the forefront of dance music.

Live dates 202406/06/24 – Ancienne Belgique, Brussels, Belgium
09/06/24 – Den Atelier, Luxembourg City, Luxembourg
12/06/24 – Paradiso, Amsterdam, Netherlands
14/06/24 – Roundhouse, London, UK

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Sia and Paris Hilton release ‘Fame Won’t Love You’

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Staff Writer
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Sia & Paris: Courtesy of Sia

Sia and Paris Hilton release their first-ever collaborative track, ‘Fame Won’t Love You’. It follows a run of singles from Sia with other hitmakers like ‘Incredible’ ft. Labrinth and ‘Dance Alone’ ft. Kylie, in addition to the poignant solo ballad ‘I Forgive You’. All four of these songs are on Sia’s upcoming album Reasonable Woman, out May 3, 2024 via Atlantic Records.

Sia, Paris Hilton – Fame Won’t Love You (feat. Paris Hilton)

Listen to Fame Won’t Love You (feat. Paris Hilton) by Sia, Paris Hilton.

‘Fame Won’t Love You’ marks the union of two global icons as they create an anthem with a powerful message about prioritizing relationships over fame. On the chorus, their distinctive voices join together in an epic fashion as they profess, “little dreams come crashing / let them wave in passing / because fame won’t love you like a mother, like a brother should.” This is just the start of their working relationship as Sia serves as executive producer of Paris’ upcoming album.

Sia – Reasonable Woman

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Nina Nesbitt Shares New Track “Mansion” Announces Fourth Album, Mountain Music

By
Jimmy Mavroudis
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Nina Nesbitt - Photo Credit: Wolf James

Following last month’s release of “Pages” and “On The Run,” acclaimed Scottish singer, songwriter, producer and multi-instrumentalist, Nina Nesbitt returns today with “Mansion,” a spectral, gossamer track that pleads with a close friend to see the beauty within themselves. The song will appear on Nina’s forthcoming fourth studio album, Mountain Music, which is due to be released on September 27, via her own record label—Apple Tree Records.

Speaking about the new song, Nina reveals, “I wrote it for a friend of mine after finding out how she saw herself. To me, she’s like a beautiful mansion in the middle of a dreary city. She’s covered in wisteria vines and roses. Everyone that passes her stops and stares, but she’s had her curtains drawn. She hasn’t let the light in for years. Dust has been gathering inside and things have been falling into disrepair. She’s been in the dark so long, she’s forgotten her own magic. People have treated her like a transient hallway. Temporary accommodation. A place to store their baggage. She was too afraid to let people in that no one got to see the grand ballroom or the beautiful lake view from the window in the library, full of lives lived. This song is for anyone who has struggled to realize their own worth – or had others devalue it. Sometimes you just need a friend to remind you, you are a Mansion.”

“Mansion” serves as the follow up to “Pages”, on which we hear the ache of experience as Nina sings over tenderly picked guitar and soft piano chords: “Cause I’m ‘bout two years from 30/ and life scares me more each day/ I’ve got a man that swears he loves me/ But I’m afraid that he won’t stay…”

Speaking about “Pages,” Nina explains, “Pages was the first song that I wrote for the new project. It reignited my love of folk music and storytelling. It’s an autobiographical account of my 20s. The chaos, the heartbreak, and the golden days. We recorded the track live in Devon with 5 wonderful musicians, it was my first time recording like this which was so fun.”

Alongside the release of “Pages,” Nina surprised fans with a second new track, “On The Run.”  “This song is about an escape from the mundane,” she says. “It was inspired by a lot of the US folk music I was listening to.”

“Mansion,” “Pages” and “On The Run” all feature on Nina’s fourth studio album, Mountain Music, out September 27. This is Nesbitt as fans have never heard her before. Having risen to fame at a young age with her disarming, candid pop – championed by stars including Taylor Swift and Hollywood star Reese Witherspoon – the Scottish musician is now found in an entirely new realm. It is inspired in part by the two years she spent touring the States in support of her second studio album: the critically acclaimed Top 40, The Sun Will Come Up, The Seasons Will Change, which has now accrued over a billion streams.

The songs on Mountain Music are permeated with gorgeous nods to US folk and Americana. It’s made all the more extraordinary by the fact that, not long ago, Nesbitt was considering quitting music altogether.

“A lot changed as I reached my late-twenties,” Nina says. “There was a lot going on in my life that changed the way I see things. In all honesty, I quit being an artist last year.” Struggling with the demand on musicians to be “present” on social media, along with the detrimental impact that had on her songwriting, Nesbitt decided to take a step back. “I was missing the thing that set me on fire, at the same time feeling like I was just getting worse at the craft I’d worked so hard on,” she says. “So, I decided to stop moaning about it, and actually just go and write.”

And write she did. For herself as well as for other artists, including K-Pop giants IVE, in turn helping them score a No 1 in Japan with their EP Wave. Gradually, the superficial pressures of the music industry began to fall away and Nina’s creativity flourished. She moved out of London and found a new home in the countryside with her long-term partner. It was there that Mountain Music was born. The new album was produced by Peter Miles and Nesbitt, and mixed and mastered by Miles at his studio MiddleFarm in South Devon, in the UK. It will be released via her own label, Apple Tree Records, which Nina launched las month with her longtime manager, Vicky Dowdall. The name, a playful nod to her 2012 debut EP, The Apple Tree, this marks the start of an exciting new era for Nina Nesbitt, both personally and creatively.

Talking about her new body of work, Nina says, “I’m beyond excited to be releasing my new album, Mountain Music, on 27th September. To me, it feels like the most authentic and honest piece of work I’ve created so far. I was inspired by a lot of the American folk music I grew up listening to, and revisiting it made me fall back in love with writing music again. I knew I wanted to take inspiration but to also write my own story. That being, someone with a female perspective who grew up in a Scottish village and spent her turbulent twenties in London. This album celebrates that small town girl, puts an arm around the big city twenty-something and looks back at the view with me now from the calm and the quiet.
It’ll be the first release on my own record label, Apple Tree Records, which I’m delighted about.
It feels like the perfect time to take full control of my career and put my stake in the ground as the artist I’ve always dreamed of being. Mountain Music held my hand through some of my hardest moments and I hope it can hold yours too.”

Stay tuned for more news and music from Nina Nesbitt, coming soon.

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Taylor Swift releases The Tortured Poets Department album today

By
Jimmy Mavroudis
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0
Taylor Swift
Taylor Swift - The Black Dog - Photo Credit: Beth Garrabrant

Taylor Swift, the renowned singer-songwriter, has excited fans once again with the release of her eleventh studio album, “The Tortured Poets Department,” along with its accompanying anthology, “The Tortured Poets Department: The Anthology.” The album and its counterpart feature 16 and 15 tracks, respectively, with collaborations from artists like Florence & The Machine and Post Malone.

In a statement, Swift described “The Tortured Poets Department” as “an anthology of new works that reflect events, opinions, and sentiments from a fleeting and fatalistic moment in time – one that was both sensational and sorrowful in equal measure.” She further explained, “This period of the author’s life is now over, the chapter closed and boarded up. There is nothing to avenge, no scores to settle once wounds have healed. And upon further reflection, a good number of them turned out to be self-inflicted. This writer is of the firm belief that our tears become holy in the form of ink on a page. Once we have spoken our saddest story, we can be free of it. And then all that’s left behind is the tortured poetry.”

TAYLOR SWIFT – THE TORTURED POETS DEPARTMENT: THE ANTHOLOGY

Listen to content by Taylor Swift.

The lead single from “The Tortured Poets Department,” “Fortnight” (featuring Post Malone), is already available for streaming. The accompanying music video will be released at 8 pm EST today.

https://taylor.lnk.to/FortnightMV

Just two hours after the release of “The Tortured Poets Department,” Swift announced the surprise double album, “The Tortured Poets Department: The Anthology,” which is available now to stream across all DSPs. The beautifully crafted albums immerse the listener in a cinematic sonic landscape, reflecting an artist in their creative prime.

Swift’s ability to create captivating stories through her music has earned her a devoted fanbase, and “The Tortured Poets Department” and its accompanying anthology are sure to please her fans and critics alike. With her unique storytelling abilities and collaborations with talented artists, Swift continues to prove herself as one of the greatest musicians of our time.

The Tortured Poets Department tracklisting
1. Fortnight (feat Post Malone)
2. The Tortured Poets Department
3. My Boy Only Breaks His Favorite Toys
4. Down Bad
5. So Long, London
6. But Daddy I Love Him
7. Fresh Out The Slammer
8. Florida!!! (feat Florence + The Machine)
9. Guilty as Sin?
10. Who’s Afraid of Little Old Me?
11. I Can Fix Him (No Really I Can)
12. loml
13.I Can Do It With a Broken Heart
14.The Smallest Man Who Ever Lived
15. The Alchemy
16. Clara Bow

 

The Tortured Poets Department: The Anthology tracklisting
17. The Black Dog
18. imgonnagetyouback
19. The Albatross
20. Chloe or Sam or Sophia or Marcus
21. How Did It End?
22. So High School
23. I Hate It Here
24. thanK you aIMee
25. I Look in People’s Windows
26. The Prophecy
27. Cassandra
28. Peter
29. The Bolter
30. Robin
31. The Manuscript

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